The galleries
1,143 images — posters, coming-attraction slides, heralds, production stills and portraits. These are the web-sized copies that survive; for most of them no larger original is known to exist.
Posters 52
Lithographed sheets from the studio's own advertising.
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British release title: BUSKING BERTIE’S BAND.
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The Pasha's Daughter
Poster Image Courtesy Thanhouser Company Film Preservation, Inc., production still courtesy Ralph Graham, M.D.
Rare One, Three, and Six Sheet Posters for The Cat’s Paw Courtesy Wake Forest University.
posters-the-cat-s-paw-nan-detects-cheating
Rare One, Three, and Six Sheet Posters for The Cat’s Paw Courtesy Wake Forest University.
Rare One, Three, and Six Sheet Posters for The Mohammedan’s Conspiracy Courtesy Wake Forest University.
Rare One, Three, and Six Sheet Posters for The Mohammedan’s Conspiracy Courtesy Wake Forest University.
Rare One, Three, and Six Sheet Posters for The Mohammedan’s Conspiracy Courtesy Wake Forest University.
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Poster Image Courtesy Janice Yorke Davis.
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Poster Image Courtesy Cindy Bonner and Charles Bonner.
Advertisement from The Moving Picture World, June 1, 1912. (F450)
Poster Image Courtesy Wisconsin Historical Society.
Poster Image Courtesy Stephen Dillow.
Poster Image Courtesy The Marguerite Herrick Library, Academy of Motion Picture Arts and Sciences and Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Marguerite Herrick Library, Academy of Motion Picture Arts and Sciences, and Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Stephen Dillow.
The Marble Heart
Poster Image Courtesy The Marguerite Herrick Library, Academy of Motion Picture Arts and Sciences and Thanhouser Company Film Preservation, Inc.
Production Still with David H. Thompson making a dramatic call to rescuers. Courtesy of Dominick Bruzzese.
Rare Unrestored Six-Sheet Poster Image Courtesy Miguel Miguel.
Poster Image Courtesy The Marguerite Herrick Library, Academy of Motion Picture Arts and Sciences and Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Library of Congress.
Poster Image Courtesy Jasper B. Sanfilippo VICTORIAN PALACE collection, Barrington Hills,IL.
Poster Image Courtesy Bruce Lyall.
European Poster Featuring Thanhouser Players from 1915, Clockwise From Top: The Thanhouser Twins Marion and Madeline Fairbanks, Riley Chamberlin,.
Poster Image Courtesy Andrew Dzamba.
Poster Image Courtesy EYE Filmmuseum (nee Netherlands Filmmuseum)
Rare One, Three, and Six Sheet Posters for The Cat’s Paw Courtesy Wake Forest University.
Poster Image Courtesy Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Janice Yorke Davis.
Poster Image Courtesy Poster Image Courtesy Amy Beaton.
Poster Image Courtesy Library of Congress.
Production still with Frank H. Crane and Marie Eline. Courtesy of the Academy of Motion Picture Arts and Sciences.
Poster Image (L) Courtesy Wisconsin Historical Society.
The Star of Bethlehem Poster Images (One and Three-Sheet) Courtesy Thanhouser Company Film Preservation, Inc.
The Star of Bethlehem Poster Images (One and Three-Sheet) Courtesy Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy William Stepherson.
Poster Image Courtesy Joel and Dawn Wolin.
Poster Image Courtesy Thanhouser Company Film Preservation, Inc.
French Release Poster Image Courtesy Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Thanhouser Company Film Preservation, Inc.
Poster Image Courtesy Andrew Dzamba.
Glass slides 24
Coming-attraction slides projected in theatres between the reels.
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a.k.a. THE MENACING PAST.
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Reissue of THE TWENTY MILLION DOLLAR MYSTERY.
(Pathé Exchange)
(Pathé Exchange)
Advertisement from THE MOVING PICTURE WORLD, February 17, 1917.
British release title: THE ARM OF THE LAW.
(Pathé Exchange)
(Pathé Exchange)
Nile Miles of Love, Mystery, Thrills, and Adventure: 23 episodes x 2 reels x 1,000 feet/reel = 46,000 feet / 5,280 feet/mile = 8.7 miles (Close Enough!)
Nile Miles of Love, Mystery, Thrills, and Adventure: 23 episodes x 2 reels x 1,000 feet/reel = 46,000 feet / 5,280 feet/mile = 8.7 miles (Close Enough!)
Early working title: KATE O’ THE KITCHEN.
(Pathé Exchange)
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(Pathé Exchange)
Advertising (L) from Reel Life, November 28, 1914.
Advertising (L) from Reel Life, November 28, 1914.
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Heralds 20
Brochures and collector stamps handed out at the theatre door.
Advertising Herald for A Bird of Prey.
Advertising Herald for A Bird of Prey.
heralds-her-new-york-her-ny-front
advertising Herald for The Million Dollar Mystery Episode 3.
advertising Herald for The Million Dollar Mystery Episode 3.
advertising Herald for The Million Dollar Mystery Episode 3.
advertising Herald for The Net.
advertising Herald for The Net.
advertising Herald for The Traffic Cop.
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Advertising Herald for Thirty Leagues Under the Sea.
Advertising Herald for Thirty Leagues Under the Sea.
From THE MOVING PICTURE WOLD (L), April 28, 1917.
From THE MOVING PICTURE WOLD (L), April 28, 1917.
advertising Herald for Inspiration (Inspiration)
advertising Herald for Inspiration (Inspiration)
advertising Herald for The Traffic Cop.
Cover (L), Centerfold (C), and back page (R) from the “Official Herald” for Episode 14 of THE MILLION DOLLAR MYSTERY.
Cover (L), Centerfold (C), and back page (R) from the “Official Herald” for Episode 14 of THE MILLION DOLLAR MYSTERY.
Cover (L), Centerfold (C), and back page (R) from the “Official Herald” for Episode 14 of THE MILLION DOLLAR MYSTERY.
Production stills 612
Frame enlargements and set photographs.
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production-stills-john-brewster-s-wife-6
production-stills-john-brewster-s-wife-7
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Production still (L) with William Russell in the title role, Gerda Holmes as Maid Marian, and leading male players at the Thanhouser studio in other key roles.
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Photograph taken in the afternoon of January 13, 1913, showing the Thanhouser Film Company studio ablaze and the aftermath.
Marie Eline, Boyd Marshall, and Muriel Ostriche in Cupid’s Lieutenant (38.jpg)
Production still from JOHN BREWSTER’S WIFE with Ernest Howard (L), Ethelmary Oakland (C)m and Ethyle Cooke (R). Courtesy Joslin T. Stonewell (Brewster)
William A. Howell with unidentified baseball player in Cousin’s Clara Cookbook. Courtesy of Terris C. Howard (Clara)
Promotional image with Wayne Arey and Gladys Hulette.
From THE MOVING PICTURE WOLD (L), April 28, 1917.
Production stills from Peggy’s Invitation with Marguerite Snow and William Russell.
Production stills from Peggy’s Invitation with Marguerite Snow and William Russell.
William Russell is shown playing chess with the father of a girl who had spurned him. Courtesy of the Academy of Motion Picture Arts and Sciences.
Flora Foster, playing the part of David, wears a warning sign. Courtesy of the Academy of Motion Picture Arts and Sciences.
Production still with Harry Benham, Marguerite Snow, and William Russell.
Mignon Anderson plays the hunter’s wife in this melodramatic film. Courtesy of the Academy of Motion Picture Arts and Science.
William Russell (standing right) played the role of an express man. Courtesy of the Academy of Motion Picture Arts and Sciences.
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Florence LaBadie and William Russell, a young married couple, are shown above as the central figures in a dramatic court case. Harry Benham, standing to the left, looks on.
Production still with James Cruze (center) and Marguerite Snow (right).
Production stills from St. Augustine, Florida. Courtesy of the Academy of Motion Picture Arts and Sciences.
Production stills from St. Augustine, Florida. Courtesy of the Academy of Motion Picture Arts and Sciences.
Production still with Mignon Anderson and William Russell.
Production still with William Russell (L) and William Garwood (R). Courtesy of the Academy of Motion Picture Arts and Sciences.
Production still with Florence LaBadie and William Russell. Courtesy of the Academy of Motion Picture Arts and Sciences.
Production still with King Herod (William Russell) gesturing to Mary (Florence LaBadie) and Joseph (James Cruze).
Production still with William Russell.
Production still of Thanhouser players out West, having taken the train from New York, with.
William Russell (left) and Riley Chamberlin.
Production stills with Florence LaBadie and William Russell. Courtesy of the Academy of Motion Picture Arts and Sciences.
Production stills with Florence LaBadie and William Russell. Courtesy of the Academy of Motion Picture Arts and Sciences.
Production stills by Carl Louis Gregory who commented on the back of a print: “William Russell in a tense animal story made by Thanhouser in which he rescues a sleeping baby from a live 12-foot python (either “Steve” or “Phryne”. Courtesy Ralph Graham, M.D. (F-570-1 & F570-2)
Production stills by Carl Louis Gregory who commented on the back of a print: “William Russell in a tense animal story made by Thanhouser in which he rescues a sleeping baby from a live 12-foot python (either “Steve” or “Phryne”. Courtesy Ralph Graham, M.D. (F-570-1 & F570-2)
Production still with Marguerite Snow and James Cruze, with Riley Chamberlin in the background and Arthur Bauer on the phone. Courtesy of Dominick Bruzzese.
Production stills: (L) with William Russell courtesy of the Academy of Motion Picture Arts and Sciences. and.
Production stills: (L) with Harry Benham (as Willie) and Mignon Anderson. Courtesy of Dominik Bruzzese.
Production still with Florence LaBadie, David H. Thompson, and Walter Dillon.
Production still with Maude Fealy as Dorrit grown up,William Russell, and Sidney Bracy.
Production still with William Russell and Jacob Ruskin.
Production still with Justus D. Barnes (Left) and Muriel Ostriche (Right).
Production still with Maude Fealy. Courtesy of Dominick Bruzzese.
Production Still with David H. Thompson making a dramatic call to rescuers. Courtesy of Dominick Bruzzese.
Production still (L) with William Russell in the title role, Gerda Holmes as Maid Marian, and leading male players at the Thanhouser studio in other key roles.
Production still with Harry Benham and WIlliam Russell.
Production still with an unidentified actor as the giant.
Production still with Muriel Ostriche and Boyde Marchall. Courtesy Robert Birchard.
Thanhouser advertizement. Courtesy Ralph Graham, MD.
Production still with Florence LaBadie and William Russell. Courtesy of the Academy of Motion Picture Arts and Sciences.
Production still with William Russell and Morgan Jones. Courtesy of the Academy of Motion Picture Arts and Science.
Production still with Frank H. Crane and Marie Eline. Courtesy of the Academy of Motion Picture Arts and Sciences.
Production still with William Garwood. Courtesy Robert S. Birchard.
Production stills from Peggy’s Invitation with Marguerite Snow and William Russell.
Production still with Muriel Ostriche, Marie Eline, Arthur Bauer, and Boyd Marshall. Courtesy of Ralph Graham, MD.
Production still courtesy Dominick Bruzzese.
Production still Courtesy of Dominick Bruzzese.
Helen Badgley “The Thanhouser Kidlet” and Shep “The Thanhouser Collie.” Courtesy of Dominick Bruzzese.
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Production still courtesy of the Motion Picture Arts and Sciences.
Production still courtesy Dominick Bruzzese.
Production still courtesy Dominick Bruzzese.
Production still courtesy Dominick Bruzzese.
Production stills courtesy Dominick Bruzzese. (F-864, F-865-1 & F8-865-2)
Production stills courtesy Dominick Bruzzese. (F-864, F-865-1 & F8-865-2)
Production stills courtesy Dominick Bruzzese. (F-864, F-865-1 & F8-865-2)
Original sheet music from Joseph in the Land of Egypt.
Production stills: (L) with Harry Benham (as Willie) and Mignon Anderson. Courtesy of Dominik Bruzzese.
Harry Benham standing next to Mignon Anderson in an unidentified interior scene.
Isolde Illian and Fred Abbott in RUSTY REGGIE’S RECORD, released February 29, 1916.
Production still courtesy of the American Museum of the Moving Image/Lawrence Williams Collection.
Production still courtesy of the American Museum of the Moving Image/Lawrence Williams Collection.
Thanhouser float in a 1913 parade. Sequences were used in TWO HUNDRED AND TWENTY-FIFTH ANNIVERSARY OF THE LANDING OF THE HUGUENOTS AT NEW ROCHELLE. Muriel Ostriche is at center, with Mignon Anderson to her right (observer’s left). At rear right is little Helen Badgley.
Production stills: (L) with William Russell courtesy of the Academy of Motion Picture Arts and Sciences. and.
Production still with Mayre Hall as the school teacher. The Fairbanks twins appear to the left in identical dresses. Courtesy of Ruth Martin Cameron.
In an unidentified still (L), Riley Chamberlin (holding pipe) watches shopkeeper James Cruze, with Justus D. Barnes at far right.
Marguerite Snow (center) possibly holding a script for THE GIRL OF THE CABARET. Looking over his shoulder at left is Riley Chamberlin.
THE MEDIUM’S NEMESIS with Marie Eline (L) and Harry Benham. Courtesy Thanhouser Collection (Nemesis)
Harry Benham standing next to Mignon Anderson in an unidentified interior scene (L).
Florence LaBadie (L) in a 1914 scene. Courtesy of Donald Collins.
Florence LaBadie (L) in a 1914 scene. Courtesy of Donald Collins.
Florence LaBadie (L) in a 1914 scene. Courtesy of Donald Collins.
In an unidentified still (L), Riley Chamberlin (holding pipe) watches shopkeeper James Cruze.
James Cruze creates a goddess, portrayed by Marguerite Snow, in a scene from MARBLE HEART, Courtesy of Ralph Graham, M.D.
Marie Eline (L) in a courtroom scene, circa 1910-1911. Courtesy of Mary Eline Scheet.
Marie Eline (L) in a courtroom scene, circa 1910-1911. Courtesy of Mary Eline Scheet.
Featuring Marguerite Snow, this was the first film directed by James Cruze, a well known Thanhouser actor. Courtesy of Ralph Graham, M.D.
Poster Image Courtesy Thanhouser Company Film Preservation, Inc., production still courtesy Ralph Graham, M.D.
William Russell in THE TRAIN DESPATCHER. Courtesy of Ralph Graham, M.D.
ROMEO AND JULIET, released in two parts on September 1 and 8, 1911. Courtesy of Ralph Graham, M.D.
Florence LaBadie and William Garwood, at right. Courtesy of Ralph Graham, M.D.
Frank H. Crane and William Russell in LOOKING FORWARD. Courtesy Robert S. Birchard.
Justus D. Barnes and Mignon Anderson in A DOG OF FLANDERS. Courtesy of Alan Brock.
Helen Badgley in a lobby card for THE TWO CENT MYSTERY, released June 20, 1915.
Madeline and Marion Fairbanks in THEIR ONE LOVE, released May 12, 1915. Courtesy of Ralph Graham, M.D.
Lila Chester and Harry Benham in BABIES PROHIBITED, released March 16, 1913. (Courtesy of Ralph Graham, M.D.)
William Garwood in CALLY’S COMET. Courtesy Ralph Graham, M.D.
In THE STAR OF THE SIDESHOW, Marie Eline, in right foreground as a midget, Bertha Blanchard was the albino, David H. Thompson was the strongman, May Carr as the fat lady, Fanny Gregory as the bearded lady, and Robert Milasch, in the background as a giant. Courtesy of the Academy of Motion Picture Arts and Sciences.
William Russell and Marie Eline in a dramatic trestle scene from IN TIME OF PERIL. Courtesy Robert S. Birchard.
Production still (L) with William Russell in the title role, Gerda Holmes as Maid Marian, and leading male players at the Thanhouser studio in other key roles.
Florence LaBadie as the bride, with James Cruze looking over her shoulder, in THE SOLUTION OF THE MILLION DOLLAR MYSTERY. Courtesy Donald Collins.
James Cruze (L) in a scene from “The Mystery of the Ruby Coronet.” Courtesy Clark Wilkinson.
Scene (L) with Florence LaBadie from THE MILLION DOLLAR MYSTERY. Courtesy Donald Collins.
Scene (L) with Florence LaBadie from THE MILLION DOLLAR MYSTERY. Courtesy Donald Collins.
James Cruze and Florence LaBaide in a scene (L) from “The Doom of the Auto Bandits” Courtesy of Donald Collins.
James Cruze and Florence LaBaide in a scene (L) from “The Doom of the Auto Bandits” Courtesy of Donald Collins.
A scene from “The Waterloo of the Conspirators,” Episode 22 of THE MILLION DOLLAR MYSTERY. Courtesy Donald Collins.
A scene (L) from THE MILLION DOLLAR MYSTERY. Courtesy Donald Collins.
Poster Image (L) Courtesy Wisconsin Historical Society.
A scene (L) from THE MILLION DOLLAR MYSTERY. Courtesy Donald Collins.
Riley Camberlin is “Rosie” and William Russell is her boss in ROSIE’S REVENGE. Courtesy Academy of Motion Picture Arts and Sciences.
Production images from THE DOG IN THE BAGGAGE CAR. Courtesy Ralph Graham, M.D.
Production images from THE DOG IN THE BAGGAGE CAR. Courtesy Ralph Graham, M.D.
Production images from THE DOG IN THE BAGGAGE CAR. Courtesy Ralph Graham, M.D.
Production images from THE DOG IN THE BAGGAGE CAR. Courtesy Ralph Graham, M.D.
Marguerite Snow (L) as Potiphar’s wife in Joseph in the Land of Egypt. Courtesy Robert S. Blanchard.
James Cruze creates a goddess, portrayed by Marguerite Snow, in a scene from MARBLE HEART, Courtesy of Ralph Graham, M.D.
Former Thanhouser star Jeanne Eagles and Jack Gilbert on location for a later film, “Man, Woman and Son.”
Marie Eline on the right as the youngest of THE FIVE ROSE SISTERS. Courtesy Ralph Graham, M.D.
Marie Eline at the shoulder of David H. Thompson (L) as the crew prepares for a filming sequence at the Thanhouser New Rochelle studio. Courtesy of Dominick Bruzzese.
Kitty Horn played the title role in THE PATRIOT MAID OF ’76, also known as FOR WASHINGTON. Courtesy Academy of Motion Picture Arts and Sciences.
Florence LaBadie (L) in a scene, circa 1914. Courtesy of Donald Collins.
Florence LaBadie in a still from “The Leap from an Ocean Liner,” Episode 9 in THE MILLION DOLLAR MYSTERY. Courtesy of Donald Collins.
Florence LaBadie (L) in a scene, circa 1914. Courtesy of Donald Collins.
Florence LaBadie (L) in a scene, circa 1914. Courtesy of Donald Collins.
Nick S. Woods leading Muriel Ostriche and Boyd Marshall in a circa 1914 still. Courtesy of Dominick Bruzzese.
William Russell points an accusing finger in THE CROSS. Courtesy of the Academy of Motion Picture Arts and Sciences.
Mignon Anderson, second from right, in PAMELA CONGREVE. Courtesy Academy of Motion Picture Arts and Sciences.
Harry Benham, Florence LaBadie and Riley Chamberlin in THE ELEVATOR MAN, released January 25, 1914. Courtesy Donald Collins.
Orilla Smith and Yale Boss in THE ACTOR’S CHILDREN, the first Thanhouser release on March 15, 1910. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Helen Badgley “The Thanhouser Kidlet” and Shep “The Thanhouser Collie.” Courtesy of Dominick Bruzzese.
A frame from A Victim of Circumstances (1913), from the Thanhouser restoration on Vimeo.
A frame from A Victim of Circumstances (1913), from the Thanhouser restoration on Vimeo.
A frame from The Foiled Elopement, or the Mystery of the Chang Case (1915), from the Thanhouser restoration on Vimeo.
A frame from The Mystic Message of the Spotted Collar (1914), from the Thanhouser restoration on Vimeo.
A frame from Romeo and Juliet—Part II (1911), from the Thanhouser restoration on Vimeo.
A frame from Treasure Trove (1912), from the Thanhouser restoration on Vimeo.
A frame from The Man Without a Country (1917), from the Thanhouser restoration on Vimeo.
A frame from The Baby and the Boss (1915), from the Thanhouser restoration on Vimeo.
A frame from The Scoop at Bellville (1915), from the Thanhouser restoration on Vimeo.
A frame from The Cry of the Children (1912), from the Thanhouser restoration on Vimeo.
A frame from The Cry of the Children (1912), from the Thanhouser restoration on Vimeo.
A frame from The Cry of the Children (1912), from the Thanhouser restoration on Vimeo.
A frame from The Cry of the Children (1912), from the Thanhouser restoration on Vimeo.
A frame from The Cry of the Children (1912), from the Thanhouser restoration on Vimeo.
A frame from The Cry of the Children (1912), from the Thanhouser restoration on Vimeo.
A frame from The Cry of the Children (1912), from the Thanhouser restoration on Vimeo.
A frame from Get Rich Quick (1911), from the Thanhouser restoration on Vimeo.
A frame from Get Rich Quick (1911), from the Thanhouser restoration on Vimeo.
A frame from Get Rich Quick (1911), from the Thanhouser restoration on Vimeo.
A frame from Get Rich Quick (1911), from the Thanhouser restoration on Vimeo.
A frame from Get Rich Quick (1911), from the Thanhouser restoration on Vimeo.
A frame from Get Rich Quick (1911), from the Thanhouser restoration on Vimeo.
A frame from Get Rich Quick (1911), from the Thanhouser restoration on Vimeo.
A frame from Cinderella (1911), from the Thanhouser restoration on Vimeo.
A frame from Cinderella (1911), from the Thanhouser restoration on Vimeo.
A frame from Cinderella (1911), from the Thanhouser restoration on Vimeo.
A frame from Cinderella (1911), from the Thanhouser restoration on Vimeo.
A frame from Cinderella (1911), from the Thanhouser restoration on Vimeo.
A frame from Cinderella (1911), from the Thanhouser restoration on Vimeo.
A frame from Cinderella (1911), from the Thanhouser restoration on Vimeo.
A frame from Cinderella (1911), from the Thanhouser restoration on Vimeo.
A frame from A Dog’s Love (1914), from the Thanhouser restoration on Vimeo.
A frame from A Dog’s Love (1914), from the Thanhouser restoration on Vimeo.
A frame from A Dog’s Love (1914), from the Thanhouser restoration on Vimeo.
A frame from A Dog’s Love (1914), from the Thanhouser restoration on Vimeo.
A frame from A Dog’s Love (1914), from the Thanhouser restoration on Vimeo.
A frame from A Dog’s Love (1914), from the Thanhouser restoration on Vimeo.
A frame from A Dog’s Love (1914), from the Thanhouser restoration on Vimeo.
A frame from A Dog’s Love (1914), from the Thanhouser restoration on Vimeo.
A frame from Petticoat Camp (1912), from the Thanhouser restoration on Vimeo.
A frame from Petticoat Camp (1912), from the Thanhouser restoration on Vimeo.
A frame from Petticoat Camp (1912), from the Thanhouser restoration on Vimeo.
A frame from Petticoat Camp (1912), from the Thanhouser restoration on Vimeo.
A frame from Petticoat Camp (1912), from the Thanhouser restoration on Vimeo.
A frame from Petticoat Camp (1912), from the Thanhouser restoration on Vimeo.
A frame from Petticoat Camp (1912), from the Thanhouser restoration on Vimeo.
A frame from Petticoat Camp (1912), from the Thanhouser restoration on Vimeo.
A frame from The Decoy (1914), from the Thanhouser restoration on Vimeo.
A frame from The Decoy (1914), from the Thanhouser restoration on Vimeo.
A frame from The Decoy (1914), from the Thanhouser restoration on Vimeo.
A frame from The Decoy (1914), from the Thanhouser restoration on Vimeo.
A frame from The Decoy (1914), from the Thanhouser restoration on Vimeo.
A frame from The Decoy (1914), from the Thanhouser restoration on Vimeo.
A frame from The Star of Bethlehem (1912), from the Thanhouser restoration on Vimeo.
A frame from The Star of Bethlehem (1912), from the Thanhouser restoration on Vimeo.
A frame from The Star of Bethlehem (1912), from the Thanhouser restoration on Vimeo.
A frame from The Star of Bethlehem (1912), from the Thanhouser restoration on Vimeo.
A frame from The Star of Bethlehem (1912), from the Thanhouser restoration on Vimeo.
A frame from The Star of Bethlehem (1912), from the Thanhouser restoration on Vimeo.
A frame from The Star of Bethlehem (1912), from the Thanhouser restoration on Vimeo.
A frame from Dr. Jekyll and Mr. Hyde (1912), from the Thanhouser restoration on Vimeo.
A frame from Dr. Jekyll and Mr. Hyde (1912), from the Thanhouser restoration on Vimeo.
A frame from Dr. Jekyll and Mr. Hyde (1912), from the Thanhouser restoration on Vimeo.
A frame from Dr. Jekyll and Mr. Hyde (1912), from the Thanhouser restoration on Vimeo.
A frame from Dr. Jekyll and Mr. Hyde (1912), from the Thanhouser restoration on Vimeo.
A frame from Dr. Jekyll and Mr. Hyde (1912), from the Thanhouser restoration on Vimeo.
A frame from Dr. Jekyll and Mr. Hyde (1912), from the Thanhouser restoration on Vimeo.
A frame from Dr. Jekyll and Mr. Hyde (1912), from the Thanhouser restoration on Vimeo.
A frame from Only in the Way (1911), from the Thanhouser restoration on Vimeo.
A frame from Only in the Way (1911), from the Thanhouser restoration on Vimeo.
A frame from Only in the Way (1911), from the Thanhouser restoration on Vimeo.
A frame from Only in the Way (1911), from the Thanhouser restoration on Vimeo.
A frame from Only in the Way (1911), from the Thanhouser restoration on Vimeo.
A frame from Only in the Way (1911), from the Thanhouser restoration on Vimeo.
A frame from Only in the Way (1911), from the Thanhouser restoration on Vimeo.
A frame from Only in the Way (1911), from the Thanhouser restoration on Vimeo.
A frame from The Coffin Ship (1911), from the Thanhouser restoration on Vimeo.
A frame from The Coffin Ship (1911), from the Thanhouser restoration on Vimeo.
A frame from The Coffin Ship (1911), from the Thanhouser restoration on Vimeo.
A frame from The Coffin Ship (1911), from the Thanhouser restoration on Vimeo.
A frame from The Coffin Ship (1911), from the Thanhouser restoration on Vimeo.
A frame from The Coffin Ship (1911), from the Thanhouser restoration on Vimeo.
A frame from The Coffin Ship (1911), from the Thanhouser restoration on Vimeo.
A frame from The Coffin Ship (1911), from the Thanhouser restoration on Vimeo.
A frame from Crossed Wires (1915), from the Thanhouser restoration on Vimeo.
A frame from Crossed Wires (1915), from the Thanhouser restoration on Vimeo.
A frame from Crossed Wires (1915), from the Thanhouser restoration on Vimeo.
A frame from Crossed Wires (1915), from the Thanhouser restoration on Vimeo.
A frame from Crossed Wires (1915), from the Thanhouser restoration on Vimeo.
A frame from Crossed Wires (1915), from the Thanhouser restoration on Vimeo.
A frame from Crossed Wires (1915), from the Thanhouser restoration on Vimeo.
A frame from The Soap Suds Star (1915), from the Thanhouser restoration on Vimeo.
A frame from The Soap Suds Star (1915), from the Thanhouser restoration on Vimeo.
A frame from The Soap Suds Star (1915), from the Thanhouser restoration on Vimeo.
A frame from The Soap Suds Star (1915), from the Thanhouser restoration on Vimeo.
A frame from The Soap Suds Star (1915), from the Thanhouser restoration on Vimeo.
A frame from The World and the Woman (1916), from the Thanhouser restoration on Vimeo.
A frame from The World and the Woman (1916), from the Thanhouser restoration on Vimeo.
A frame from The World and the Woman (1916), from the Thanhouser restoration on Vimeo.
A frame from The World and the Woman (1916), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1910), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1910), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1910), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1910), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1910), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1910), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1910), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1917), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1917), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1917), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1917), from the Thanhouser restoration on Vimeo.
A frame from The Vicar of Wakefield (1917), from the Thanhouser restoration on Vimeo.
A frame from Just a Shabby Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Just a Shabby Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Just a Shabby Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Just a Shabby Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Just a Shabby Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Just a Shabby Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Just a Shabby Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Just a Shabby Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Shep’s Race with Death (1914), from the Thanhouser restoration on Vimeo.
A frame from Shep’s Race with Death (1914), from the Thanhouser restoration on Vimeo.
A frame from Shep’s Race with Death (1914), from the Thanhouser restoration on Vimeo.
A frame from Shep’s Race with Death (1914), from the Thanhouser restoration on Vimeo.
A frame from Shep’s Race with Death (1914), from the Thanhouser restoration on Vimeo.
A frame from Shep’s Race with Death (1914), from the Thanhouser restoration on Vimeo.
A frame from Shep’s Race with Death (1914), from the Thanhouser restoration on Vimeo.
A frame from The Evidence of the Film (1913), from the Thanhouser restoration on Vimeo.
A frame from The Evidence of the Film (1913), from the Thanhouser restoration on Vimeo.
A frame from The Evidence of the Film (1913), from the Thanhouser restoration on Vimeo.
A frame from The Evidence of the Film (1913), from the Thanhouser restoration on Vimeo.
A frame from The Evidence of the Film (1913), from the Thanhouser restoration on Vimeo.
A frame from The Evidence of the Film (1913), from the Thanhouser restoration on Vimeo.
A frame from The Evidence of the Film (1913), from the Thanhouser restoration on Vimeo.
A frame from The Evidence of the Film (1913), from the Thanhouser restoration on Vimeo.
A frame from The Little Girl Next Door (1912), from the Thanhouser restoration on Vimeo.
A frame from The Little Girl Next Door (1912), from the Thanhouser restoration on Vimeo.
A frame from The Little Girl Next Door (1912), from the Thanhouser restoration on Vimeo.
A frame from The Little Girl Next Door (1912), from the Thanhouser restoration on Vimeo.
A frame from The Little Girl Next Door (1912), from the Thanhouser restoration on Vimeo.
A frame from The Little Girl Next Door (1912), from the Thanhouser restoration on Vimeo.
A frame from The Little Girl Next Door (1912), from the Thanhouser restoration on Vimeo.
A frame from The Little Girl Next Door (1912), from the Thanhouser restoration on Vimeo.
A frame from The Tiniest of Stars (1913), from the Thanhouser restoration on Vimeo.
A frame from The Tiniest of Stars (1913), from the Thanhouser restoration on Vimeo.
A frame from The Tiniest of Stars (1913), from the Thanhouser restoration on Vimeo.
A frame from The Tiniest of Stars (1913), from the Thanhouser restoration on Vimeo.
A frame from The Tiniest of Stars (1913), from the Thanhouser restoration on Vimeo.
A frame from The Tiniest of Stars (1913), from the Thanhouser restoration on Vimeo.
A frame from The Tiniest of Stars (1913), from the Thanhouser restoration on Vimeo.
A frame from The Tiniest of Stars (1913), from the Thanhouser restoration on Vimeo.
A frame from Their One Love (1915), from the Thanhouser restoration on Vimeo.
A frame from Their One Love (1915), from the Thanhouser restoration on Vimeo.
A frame from Their One Love (1915), from the Thanhouser restoration on Vimeo.
A frame from Their One Love (1915), from the Thanhouser restoration on Vimeo.
A frame from Their One Love (1915), from the Thanhouser restoration on Vimeo.
A frame from Their One Love (1915), from the Thanhouser restoration on Vimeo.
A frame from Their One Love (1915), from the Thanhouser restoration on Vimeo.
A frame from Their One Love (1915), from the Thanhouser restoration on Vimeo.
A frame from Uncle’s Namesakes (1913), from the Thanhouser restoration on Vimeo.
A frame from Uncle’s Namesakes (1913), from the Thanhouser restoration on Vimeo.
A frame from Uncle’s Namesakes (1913), from the Thanhouser restoration on Vimeo.
A frame from Uncle’s Namesakes (1913), from the Thanhouser restoration on Vimeo.
A frame from Uncle’s Namesakes (1913), from the Thanhouser restoration on Vimeo.
A frame from Uncle’s Namesakes (1913), from the Thanhouser restoration on Vimeo.
A frame from Uncle’s Namesakes (1913), from the Thanhouser restoration on Vimeo.
A frame from Uncle’s Namesakes (1913), from the Thanhouser restoration on Vimeo.
A frame from Fires of Youth (1917), from the Thanhouser restoration on Vimeo.
A frame from Fires of Youth (1917), from the Thanhouser restoration on Vimeo.
A frame from Fires of Youth (1917), from the Thanhouser restoration on Vimeo.
A frame from Fires of Youth (1917), from the Thanhouser restoration on Vimeo.
A frame from Fires of Youth (1917), from the Thanhouser restoration on Vimeo.
A frame from Fires of Youth (1917), from the Thanhouser restoration on Vimeo.
A frame from Fires of Youth (1917), from the Thanhouser restoration on Vimeo.
A frame from Marble Heart (1913), from the Thanhouser restoration on Vimeo.
A frame from Marble Heart (1913), from the Thanhouser restoration on Vimeo.
A frame from Marble Heart (1913), from the Thanhouser restoration on Vimeo.
A frame from Marble Heart (1913), from the Thanhouser restoration on Vimeo.
A frame from Marble Heart (1913), from the Thanhouser restoration on Vimeo.
A frame from Marble Heart (1913), from the Thanhouser restoration on Vimeo.
A frame from Marble Heart (1913), from the Thanhouser restoration on Vimeo.
A frame from Mme. Blanche, Beauty Doctor (1915), from the Thanhouser restoration on Vimeo.
A frame from Mme. Blanche, Beauty Doctor (1915), from the Thanhouser restoration on Vimeo.
A frame from Mme. Blanche, Beauty Doctor (1915), from the Thanhouser restoration on Vimeo.
A frame from Mme. Blanche, Beauty Doctor (1915), from the Thanhouser restoration on Vimeo.
A frame from Mme. Blanche, Beauty Doctor (1915), from the Thanhouser restoration on Vimeo.
A frame from She (1911), from the Thanhouser restoration on Vimeo.
A frame from She (1911), from the Thanhouser restoration on Vimeo.
A frame from She (1911), from the Thanhouser restoration on Vimeo.
A frame from She (1911), from the Thanhouser restoration on Vimeo.
A frame from She (1911), from the Thanhouser restoration on Vimeo.
A frame from She (1911), from the Thanhouser restoration on Vimeo.
A frame from She (1911), from the Thanhouser restoration on Vimeo.
A frame from She (1911), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from Cymbeline (1913), from the Thanhouser restoration on Vimeo.
A frame from Cymbeline (1913), from the Thanhouser restoration on Vimeo.
A frame from Cymbeline (1913), from the Thanhouser restoration on Vimeo.
A frame from Cymbeline (1913), from the Thanhouser restoration on Vimeo.
A frame from Cymbeline (1913), from the Thanhouser restoration on Vimeo.
A frame from Cymbeline (1913), from the Thanhouser restoration on Vimeo.
A frame from King Lear (1916), from the Thanhouser restoration on Vimeo.
A frame from King Lear (1916), from the Thanhouser restoration on Vimeo.
A frame from Nicholas Nickleby (1912), from the Thanhouser restoration on Vimeo.
A frame from Nicholas Nickleby (1912), from the Thanhouser restoration on Vimeo.
A frame from Nicholas Nickleby (1912), from the Thanhouser restoration on Vimeo.
A frame from Nicholas Nickleby (1912), from the Thanhouser restoration on Vimeo.
A frame from Nicholas Nickleby (1912), from the Thanhouser restoration on Vimeo.
A frame from King René’s Daughter (1913), from the Thanhouser restoration on Vimeo.
A frame from King René’s Daughter (1913), from the Thanhouser restoration on Vimeo.
A frame from King René’s Daughter (1913), from the Thanhouser restoration on Vimeo.
A frame from King René’s Daughter (1913), from the Thanhouser restoration on Vimeo.
A frame from Tannhäuser (1913), from the Thanhouser restoration on Vimeo.
A frame from Tannhäuser (1913), from the Thanhouser restoration on Vimeo.
A frame from Tannhäuser (1913), from the Thanhouser restoration on Vimeo.
A frame from Tannhäuser (1913), from the Thanhouser restoration on Vimeo.
A frame from Tannhäuser (1913), from the Thanhouser restoration on Vimeo.
A frame from Tannhäuser (1913), from the Thanhouser restoration on Vimeo.
A frame from Tannhäuser (1913), from the Thanhouser restoration on Vimeo.
A frame from Tannhäuser (1913), from the Thanhouser restoration on Vimeo.
A frame from The Vagabonds (1915), from the Thanhouser restoration on Vimeo.
A frame from The Vagabonds (1915), from the Thanhouser restoration on Vimeo.
A frame from The Vagabonds (1915), from the Thanhouser restoration on Vimeo.
A frame from The Vagabonds (1915), from the Thanhouser restoration on Vimeo.
A frame from The Vagabonds (1915), from the Thanhouser restoration on Vimeo.
A frame from The Vagabonds (1915), from the Thanhouser restoration on Vimeo.
A frame from The Vagabonds (1915), from the Thanhouser restoration on Vimeo.
A frame from The Vagabonds (1915), from the Thanhouser restoration on Vimeo.
A frame from Daddy’s Double (1910), from the Thanhouser restoration on Vimeo.
A frame from Daddy’s Double (1910), from the Thanhouser restoration on Vimeo.
A frame from Daddy’s Double (1910), from the Thanhouser restoration on Vimeo.
A frame from Daddy’s Double (1910), from the Thanhouser restoration on Vimeo.
A frame from Daddy’s Double (1910), from the Thanhouser restoration on Vimeo.
A frame from Daddy’s Double (1910), from the Thanhouser restoration on Vimeo.
A frame from Daddy’s Double (1910), from the Thanhouser restoration on Vimeo.
A frame from Daddy’s Double (1910), from the Thanhouser restoration on Vimeo.
A frame from An Elusive Diamond (1914), from the Thanhouser restoration on Vimeo.
A frame from An Elusive Diamond (1914), from the Thanhouser restoration on Vimeo.
A frame from An Elusive Diamond (1914), from the Thanhouser restoration on Vimeo.
A frame from An Elusive Diamond (1914), from the Thanhouser restoration on Vimeo.
A frame from An Elusive Diamond (1914), from the Thanhouser restoration on Vimeo.
A frame from An Elusive Diamond (1914), from the Thanhouser restoration on Vimeo.
A frame from An Elusive Diamond (1914), from the Thanhouser restoration on Vimeo.
A frame from An Elusive Diamond (1914), from the Thanhouser restoration on Vimeo.
A frame from The Marvelous Marathoner (1915), from the Thanhouser restoration on Vimeo.
A frame from The Marvelous Marathoner (1915), from the Thanhouser restoration on Vimeo.
A frame from The Marvelous Marathoner (1915), from the Thanhouser restoration on Vimeo.
A frame from The Marvelous Marathoner (1915), from the Thanhouser restoration on Vimeo.
A frame from The Marvelous Marathoner (1915), from the Thanhouser restoration on Vimeo.
A frame from The Marvelous Marathoner (1915), from the Thanhouser restoration on Vimeo.
A frame from The Marvelous Marathoner (1915), from the Thanhouser restoration on Vimeo.
A frame from The Marvelous Marathoner (1915), from the Thanhouser restoration on Vimeo.
A frame from His Great Uncle’s Spirit (1912), from the Thanhouser restoration on Vimeo.
A frame from His Great Uncle’s Spirit (1912), from the Thanhouser restoration on Vimeo.
A frame from His Great Uncle’s Spirit (1912), from the Thanhouser restoration on Vimeo.
A frame from His Great Uncle’s Spirit (1912), from the Thanhouser restoration on Vimeo.
A frame from His Great Uncle’s Spirit (1912), from the Thanhouser restoration on Vimeo.
A frame from His Great Uncle’s Spirit (1912), from the Thanhouser restoration on Vimeo.
A frame from His Great Uncle’s Spirit (1912), from the Thanhouser restoration on Vimeo.
A frame from When the Studio Burned (1913), from the Thanhouser restoration on Vimeo.
A frame from When the Studio Burned (1913), from the Thanhouser restoration on Vimeo.
A frame from When the Studio Burned (1913), from the Thanhouser restoration on Vimeo.
A frame from When the Studio Burned (1913), from the Thanhouser restoration on Vimeo.
A frame from When the Studio Burned (1913), from the Thanhouser restoration on Vimeo.
A frame from When the Studio Burned (1913), from the Thanhouser restoration on Vimeo.
A frame from When the Studio Burned (1913), from the Thanhouser restoration on Vimeo.
A frame from When the Studio Burned (1913), from the Thanhouser restoration on Vimeo.
A frame from The Woman in White (1917), from the Thanhouser restoration on Vimeo.
A frame from The Woman in White (1917), from the Thanhouser restoration on Vimeo.
A frame from The Woman in White (1917), from the Thanhouser restoration on Vimeo.
A frame from The Woman in White (1917), from the Thanhouser restoration on Vimeo.
A frame from The Actor’s Children (1910), from the Thanhouser restoration on Vimeo.
A frame from The Actor’s Children (1910), from the Thanhouser restoration on Vimeo.
A frame from The Actor’s Children (1910), from the Thanhouser restoration on Vimeo.
A frame from The Actor’s Children (1910), from the Thanhouser restoration on Vimeo.
A frame from The Actor’s Children (1910), from the Thanhouser restoration on Vimeo.
A frame from The Actor’s Children (1910), from the Thanhouser restoration on Vimeo.
A frame from The Actor’s Children (1910), from the Thanhouser restoration on Vimeo.
A frame from The Actor’s Children (1910), from the Thanhouser restoration on Vimeo.
A frame from Young Lord Stanley (1910), from the Thanhouser restoration on Vimeo.
A frame from Young Lord Stanley (1910), from the Thanhouser restoration on Vimeo.
A frame from Young Lord Stanley (1910), from the Thanhouser restoration on Vimeo.
A frame from Young Lord Stanley (1910), from the Thanhouser restoration on Vimeo.
A frame from Young Lord Stanley (1910), from the Thanhouser restoration on Vimeo.
A frame from Young Lord Stanley (1910), from the Thanhouser restoration on Vimeo.
A frame from Young Lord Stanley (1910), from the Thanhouser restoration on Vimeo.
A frame from Young Lord Stanley (1910), from the Thanhouser restoration on Vimeo.
A frame from The Pasha’s Daughter (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pasha’s Daughter (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pasha’s Daughter (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pasha’s Daughter (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pasha’s Daughter (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pasha’s Daughter (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pasha’s Daughter (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pasha’s Daughter (1911), from the Thanhouser restoration on Vimeo.
A frame from The Portrait of Lady Anne (1912), from the Thanhouser restoration on Vimeo.
A frame from The Portrait of Lady Anne (1912), from the Thanhouser restoration on Vimeo.
A frame from The Portrait of Lady Anne (1912), from the Thanhouser restoration on Vimeo.
A frame from The Portrait of Lady Anne (1912), from the Thanhouser restoration on Vimeo.
A frame from The Portrait of Lady Anne (1912), from the Thanhouser restoration on Vimeo.
A frame from The Portrait of Lady Anne (1912), from the Thanhouser restoration on Vimeo.
A frame from The Portrait of Lady Anne (1912), from the Thanhouser restoration on Vimeo.
A frame from The Portrait of Lady Anne (1912), from the Thanhouser restoration on Vimeo.
A frame from The Voice of Conscience (1912), from the Thanhouser restoration on Vimeo.
A frame from The Voice of Conscience (1912), from the Thanhouser restoration on Vimeo.
A frame from The Voice of Conscience (1912), from the Thanhouser restoration on Vimeo.
A frame from The Voice of Conscience (1912), from the Thanhouser restoration on Vimeo.
A frame from The Voice of Conscience (1912), from the Thanhouser restoration on Vimeo.
A frame from The Voice of Conscience (1912), from the Thanhouser restoration on Vimeo.
A frame from The Voice of Conscience (1912), from the Thanhouser restoration on Vimeo.
A frame from The Voice of Conscience (1912), from the Thanhouser restoration on Vimeo.
A frame from In a Garden (1912), from the Thanhouser restoration on Vimeo.
A frame from In a Garden (1912), from the Thanhouser restoration on Vimeo.
A frame from In a Garden (1912), from the Thanhouser restoration on Vimeo.
A frame from In a Garden (1912), from the Thanhouser restoration on Vimeo.
A frame from In a Garden (1912), from the Thanhouser restoration on Vimeo.
A frame from In a Garden (1912), from the Thanhouser restoration on Vimeo.
A frame from In a Garden (1912), from the Thanhouser restoration on Vimeo.
A frame from In a Garden (1912), from the Thanhouser restoration on Vimeo.
A frame from The Center of the Web (1914), from the Thanhouser restoration on Vimeo.
A frame from The Center of the Web (1914), from the Thanhouser restoration on Vimeo.
A frame from The Center of the Web (1914), from the Thanhouser restoration on Vimeo.
A frame from The Center of the Web (1914), from the Thanhouser restoration on Vimeo.
A frame from The Center of the Web (1914), from the Thanhouser restoration on Vimeo.
A frame from The Center of the Web (1914), from the Thanhouser restoration on Vimeo.
A frame from His Uncle’s Wives (1913), from the Thanhouser restoration on Vimeo.
A frame from His Uncle’s Wives (1913), from the Thanhouser restoration on Vimeo.
A frame from His Uncle’s Wives (1913), from the Thanhouser restoration on Vimeo.
A frame from His Uncle’s Wives (1913), from the Thanhouser restoration on Vimeo.
A frame from His Uncle’s Wives (1913), from the Thanhouser restoration on Vimeo.
A frame from His Uncle’s Wives (1913), from the Thanhouser restoration on Vimeo.
A frame from His Uncle’s Wives (1913), from the Thanhouser restoration on Vimeo.
A frame from His Uncle’s Wives (1913), from the Thanhouser restoration on Vimeo.
A frame from Her Nephews from Labrador (1913), from the Thanhouser restoration on Vimeo.
A frame from Her Nephews from Labrador (1913), from the Thanhouser restoration on Vimeo.
A frame from Her Nephews from Labrador (1913), from the Thanhouser restoration on Vimeo.
A frame from Her Nephews from Labrador (1913), from the Thanhouser restoration on Vimeo.
A frame from Her Nephews from Labrador (1913), from the Thanhouser restoration on Vimeo.
A frame from Her Nephews from Labrador (1913), from the Thanhouser restoration on Vimeo.
A frame from Her Nephews from Labrador (1913), from the Thanhouser restoration on Vimeo.
A frame from Her Nephews from Labrador (1913), from the Thanhouser restoration on Vimeo.
A frame from The Farmer’s Daughters (1913), from the Thanhouser restoration on Vimeo.
A frame from The Farmer’s Daughters (1913), from the Thanhouser restoration on Vimeo.
A frame from The Farmer’s Daughters (1913), from the Thanhouser restoration on Vimeo.
A frame from The Farmer’s Daughters (1913), from the Thanhouser restoration on Vimeo.
A frame from The Farmer’s Daughters (1913), from the Thanhouser restoration on Vimeo.
A frame from The Farmer’s Daughters (1913), from the Thanhouser restoration on Vimeo.
A frame from The Farmer’s Daughters (1913), from the Thanhouser restoration on Vimeo.
A frame from The Farmer’s Daughters (1913), from the Thanhouser restoration on Vimeo.
A frame from In de Tropische Zee, from the Thanhouser restoration on Vimeo.
A frame from In de Tropische Zee, from the Thanhouser restoration on Vimeo.
A frame from In de Tropische Zee, from the Thanhouser restoration on Vimeo.
A frame from In de Tropische Zee, from the Thanhouser restoration on Vimeo.
A frame from In de Tropische Zee, from the Thanhouser restoration on Vimeo.
A frame from In de Tropische Zee, from the Thanhouser restoration on Vimeo.
A frame from Joseph in the Land of Egypt (1914), from the Thanhouser restoration on Vimeo.
A frame from Joseph in the Land of Egypt (1914), from the Thanhouser restoration on Vimeo.
A frame from Joseph in the Land of Egypt (1914), from the Thanhouser restoration on Vimeo.
A frame from Joseph in the Land of Egypt (1914), from the Thanhouser restoration on Vimeo.
A frame from Joseph in the Land of Egypt (1914), from the Thanhouser restoration on Vimeo.
A frame from Seven Ages of an Alligator (1913), from the Thanhouser restoration on Vimeo.
A frame from Seven Ages of an Alligator (1913), from the Thanhouser restoration on Vimeo.
A frame from Seven Ages of an Alligator (1913), from the Thanhouser restoration on Vimeo.
A frame from Seven Ages of an Alligator (1913), from the Thanhouser restoration on Vimeo.
A frame from Seven Ages of an Alligator (1913), from the Thanhouser restoration on Vimeo.
A frame from Seven Ages of an Alligator (1913), from the Thanhouser restoration on Vimeo.
A frame from Seven Ages of an Alligator (1913), from the Thanhouser restoration on Vimeo.
A frame from Seven Ages of an Alligator (1913), from the Thanhouser restoration on Vimeo.
A frame from The Mystery of the Sleeping House (1914), from the Thanhouser restoration on Vimeo.
A frame from The Mystery of the Sleeping House (1914), from the Thanhouser restoration on Vimeo.
A frame from The Mystery of the Sleeping House (1914), from the Thanhouser restoration on Vimeo.
A frame from The Mystery of the Sleeping House (1914), from the Thanhouser restoration on Vimeo.
A frame from The Mystery of the Sleeping House (1914), from the Thanhouser restoration on Vimeo.
A frame from The Mystery of the Sleeping House (1914), from the Thanhouser restoration on Vimeo.
A frame from The Mystery of the Sleeping House (1914), from the Thanhouser restoration on Vimeo.
A frame from Old Jane of the Gaiety (1915), from the Thanhouser restoration on Vimeo.
A frame from Old Jane of the Gaiety (1915), from the Thanhouser restoration on Vimeo.
A frame from Old Jane of the Gaiety (1915), from the Thanhouser restoration on Vimeo.
A frame from Old Jane of the Gaiety (1915), from the Thanhouser restoration on Vimeo.
A frame from Old Jane of the Gaiety (1915), from the Thanhouser restoration on Vimeo.
A frame from Old Jane of the Gaiety (1915), from the Thanhouser restoration on Vimeo.
A frame from Old Jane of the Gaiety (1915), from the Thanhouser restoration on Vimeo.
A frame from Silas Marner (1916), from the Thanhouser restoration on Vimeo.
A frame from Silas Marner (1916), from the Thanhouser restoration on Vimeo.
A frame from Silas Marner (1916), from the Thanhouser restoration on Vimeo.
A frame from Silas Marner (1916), from the Thanhouser restoration on Vimeo.
A frame from Silas Marner (1916), from the Thanhouser restoration on Vimeo.
A frame from Silas Marner (1916), from the Thanhouser restoration on Vimeo.
A frame from Silas Marner (1916), from the Thanhouser restoration on Vimeo.
A frame from In the Hands of the Enemy (1915), from the Thanhouser restoration on Vimeo.
A frame from In the Hands of the Enemy (1915), from the Thanhouser restoration on Vimeo.
A frame from In the Hands of the Enemy (1915), from the Thanhouser restoration on Vimeo.
A frame from In the Hands of the Enemy (1915), from the Thanhouser restoration on Vimeo.
A frame from In the Hands of the Enemy (1915), from the Thanhouser restoration on Vimeo.
A frame from In the Hands of the Enemy (1915), from the Thanhouser restoration on Vimeo.
A frame from In the Hands of the Enemy (1915), from the Thanhouser restoration on Vimeo.
A frame from Toodles, Tom and Trouble (1915), from the Thanhouser restoration on Vimeo.
A frame from The Children’s Hour (1913), from the Thanhouser restoration on Vimeo.
A frame from Jack and the Beanstalk (1913), from the Thanhouser restoration on Vimeo.
A frame from A Doll’s House (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pillars of Society (1911), from the Thanhouser restoration on Vimeo.
A frame from Coals of Fire (1914), from the Thanhouser restoration on Vimeo.
A frame from Cross Your Heart (1912), from the Thanhouser restoration on Vimeo.
A frame from The Idol of the Hour (1913), from the Thanhouser restoration on Vimeo.
A frame from The Girl of the Cabaret (1913), from the Thanhouser restoration on Vimeo.
A frame from The Girl of the Grove (1912), from the Thanhouser restoration on Vimeo.
A frame from The Mother of Her Dreams (1915), from the Thanhouser restoration on Vimeo.
A frame from The Thunderbolt (1912), from the Thanhouser restoration on Vimeo.
A frame from Their Best Friend (1914), from the Thanhouser restoration on Vimeo.
A frame from The Two Roses (1910), from the Thanhouser restoration on Vimeo.
A frame from The Two Roses (1910), from the Thanhouser restoration on Vimeo.
A frame from The Two Roses (1910), from the Thanhouser restoration on Vimeo.
A frame from The Two Roses (1910), from the Thanhouser restoration on Vimeo.
A frame from The Two Roses (1910), from the Thanhouser restoration on Vimeo.
A frame from The Two Roses (1910), from the Thanhouser restoration on Vimeo.
A frame from The Two Roses (1910), from the Thanhouser restoration on Vimeo.
A frame from Austin Flood (1911), from the Thanhouser restoration on Vimeo.
A frame from David Copperfield (1911), from the Thanhouser restoration on Vimeo.
A frame from John T. Rocks and the Flivver (1915), from the Thanhouser restoration on Vimeo.
A frame from David Copperfield (1911), from the Thanhouser restoration on Vimeo.
A frame from Guiders (1916), from the Thanhouser restoration on Vimeo.
A frame from The Twins of the G.l. Ranch (1915), from the Thanhouser restoration on Vimeo.
A frame from The Twins of the G.l. Ranch (1915), from the Thanhouser restoration on Vimeo.
A frame from The Twins of the G.l. Ranch (1915), from the Thanhouser restoration on Vimeo.
A frame from The Twins of the G.l. Ranch (1915), from the Thanhouser restoration on Vimeo.
A frame from The Twins of the G.l. Ranch (1915), from the Thanhouser restoration on Vimeo.
A frame from The Twins of the G.l. Ranch (1915), from the Thanhouser restoration on Vimeo.
A frame from A Doll’s House (1911), from the Thanhouser restoration on Vimeo.
A frame from The Pillars of Society (1911), from the Thanhouser restoration on Vimeo.
A frame from Cupid the Conqueror (1911), from the Thanhouser restoration on Vimeo.
A frame from Cupid the Conqueror (1911), from the Thanhouser restoration on Vimeo.
A frame from An American in the Making (1913), from the Thanhouser restoration on Vimeo.
A frame from An American in the Making (1913), from the Thanhouser restoration on Vimeo.
A frame from The Net (1916), from the Thanhouser trailer on Vimeo.
A frame from A Circus Stowaway (1911), from the Thanhouser restoration on Vimeo.
A frame from Down on the Phony Farm (1915), from the Thanhouser restoration on Vimeo.
A frame from Little Brother (1913), from the Thanhouser restoration on Vimeo.
A frame from Not Guilty (1910), from the Thanhouser restoration on Vimeo.
A frame from Oh, What a Knight! (1910), from the Thanhouser restoration on Vimeo.
A frame from The Mistake of Mammy Lou (1915), from the Thanhouser restoration on Vimeo.
A frame from The Only Girl in Camp (1911), from the Thanhouser restoration on Vimeo.
A frame from The Picture of Dorian Gray (1915), from the Thanhouser restoration on Vimeo.
A frame from The Tell-Tale Scar (1914), from the Thanhouser restoration on Vimeo.
A frame from When a Count Counted (1912), from the Thanhouser restoration on Vimeo.
A frame from When Hungry Hamlet Fled (1915), from the Thanhouser restoration on Vimeo.
A frame from The Spoiled Darling’s Doll (1913), from the Thanhouser restoration on Vimeo.
A frame from Silas Marner (1911), from the Thanhouser restoration on Vimeo.
A frame from An Elevator Romance (1911), from the Thanhouser restoration on Vimeo.
A frame from Clarence Cheats at Croquet (1915), from the Thanhouser restoration on Vimeo.
A frame from A Modern Monte Cristo (1917), from the Thanhouser restoration on Vimeo.
A frame from The Winter’s Tale (1910), from the Thanhouser restoration on Vimeo.
A frame from The Star of the Side Show (1912), from the Thanhouser restoration on Vimeo.
A frame from The Star of the Side Show (1912), from the Thanhouser restoration on Vimeo.
A frame from The Star of the Side Show (1912), from the Thanhouser restoration on Vimeo.
A frame from The Girl of the Northern Woods (1910), from the Thanhouser restoration on Vimeo.
A frame from The Girl of the Northern Woods (1910), from the Thanhouser restoration on Vimeo.
Portraits 222
Players and crew, as the studio published them.
Q. David Bowers is the author of over three dozen books on various historical subjects, including Muriel Ostriche: Princess of Silent Films, Nickelodeon Theatres, The History of U.S. Coinage (for The Johns Hopkins University), The Encyclopedia of Automatic Musical Instruments, and other works which have become standard references in their fields.
Postcard image courtesy Thanhouser Company Film Preservation, Inc.
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Edwin and Gertrude Thanhouser, circa 1951. Image courtesy Thanhouser family archives (1951)
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Production stills courtesy Dominick Bruzzese.
Production stills courtesy Dominick Bruzzese.
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The David Kessler Theatre, New York City, showing THE PATRIOT AND THE SPY.
Studio portrait of Gertrude Homan (L), taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
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The Thanhouser Kid and Kidlet were prominently featured in Thanhouser marketing efforts. Postcard courtesy Thanhouser Company Film Preservation, Inc.
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Lucius Henderson in a photograph taken near the Caudebec Inn, Cuddebackville, New York, October 1912, when Henderson was directing The Forest Rose.
Postcard courtesy Thanhouser Company Film Preservation, Inc.
Postcard courtesy Thanhouser Company Film Preservation, Inc.
Master “Bopps” Jones, son of Morgan Jones. Courtesy of Trent D. Sanders (Bopps)
Ethelmary Oakland portrait from 1916, Courtesy Joslin T Stonewell (Ethelmar)
Edwin Thanhouser (L) in a turn of the century portrait when he was manager of the Academy of Music Theater in Milwaukee.
Edwin Thanhouser (L) in a turn of the century portrait when he was manager of the Academy of Music Theater in Milwaukee.
Audrey Munson, posing circa 1916-1917 at the American “Flying A” Studio in Santa Barbara, California. Courtesy Robert S. Birchard.
Postcard courtesy Thanhouser Company Film Preservation, Inc.
Postcard courtesy Thanhouser Company Film Preservation, Inc.
Postcard courtesy Thanhouser Company Film Preservation, Inc.
Justus D. Barnes and Mignon Anderson (L) in A DOG OF FLANDERS. Courtesy of Alan Brock.
Mignon Anderson in a car against a small town railroad backdrop.
Photograph taken in the afternoon of January 13, 1913, showing the Thanhouser Film Company studio ablaze and the aftermath.
Photograph taken in the afternoon of January 13, 1913, showing the Thanhouser Film Company studio ablaze and the aftermath.
Photograph taken in the afternoon of January 13, 1913, showing the Thanhouser Film Company studio ablaze and the aftermath.
TThe Joining Room “brigade” showing (left to right): Blanche Bugle, Rose Scott, Hattie McCroskery, Elizabeth Walters, Anna Eagan, Tillie Specht, Nora Riley, Nettie Stamp, and Irene Christie. Seated with the dog is.
Lawrence Williams with his equipment courtesy of the American Museum of the Moving Image/Lawrence Williams Collection.
The Kraus Manufacturing Company offered images of film stars including postcards featuring Florence LaBadie and James Cruze. Courtesy of Bebe Bergsten.
Photographs taken at Thanhouser’s “Glass Palace” in New Rochelle. Courtesy of Dominick Bruzzese.
Photographs taken at Thanhouser’s “Glass Palace” in New Rochelle. Courtesy of Dominick Bruzzese.
Marion and Madeline Fairbanks, The Thanhouser Twins. Courtesy Q. David Bowers.
Morgan Jones. Courtesy Trent D. Sanders (Mjones)
Marion and Madeline Fairbanks, The Thanhouser Twins. Courtesy Q. David Bowers.
Creighton Hale Courtesy Q. David Bowers.
Winifred Kingston Courtesy Q. David Bowers.
Mignon Anderson, shown in her North Hollywood apartment in the 1970s.
Mignon Anderson studio portraits. Courtesy of Alan Brock.
Mignon Anderson studio portraits. Courtesy of Alan Brock.
Maude Fealy in a studio portrait. Courtesy of Alan Brock.
Portrait of William Garwood (L). Courtesy of Robert S. Birchard.
Portrait of William Garwood (L). Courtesy of Robert S. Birchard.
Barbara Gilroy in a studio portrait. Courtesy of Dominick Bruzzese.
Carl Louis Gregory (L) aboard ship in Nassau, Bahamas in 1914. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Carl Louis Gregory (L) aboard ship in Nassau, Bahamas in 1914. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Violet Heming (L) Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Violet Heming (L) Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
John Lehnberg, Thanhouser character actor, in a photograph taken by Billy Noel. (Courtesy of Dominick Bruzzese.
Lloyd F. Lonergan, Thanhouser’s most prolific scenario writer. Courtesy of Dominick Bruzzese.
Studio portrait of William Noel (L), known as “Billy,” was an actor, assistant cameraman, and all-around helper. Courtesy of Dominick Bruzzese.
Studio portrait of William Noel (L), known as “Billy,” was an actor, assistant cameraman, and all-around helper. Courtesy of Dominick Bruzzese.
Marguerite Snow (L) as Potiphar’s wife in Joseph in the Land of Egypt. Courtesy Robert S. Blanchard.
Ruth Martin as an infant, appeared with Marguerite Snow in a Thanhouser film circa 1913.
Josef Swickard in a 1920 studio portrait after the Thanhouser years. Courtesy of the Academy of Motion Picture Arts and Sciences.
Edwin Thanhouser (L) as Gringoire. Thanhouser family archives, courtesy of Pego Paar.
Edwin Thanhouser (L) as Gringoire. Thanhouser family archives, courtesy of Pego Paar.
Edwin Thanhouser (C) in middle age. Thanhouser family archives, courtesy of Joan Thanhouser Sherman.
Edwin Thanhouser (L) in a turn of the century portrait when he was manager of the Academy of Music Theater in Milwaukee.
Studio portrait of Gertrude Homan (L), taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
Studio portrait of Gertrude Homan (L), taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
Studio portrait of Lila Chester who played supporting roles for Thanhouser. Courtesy of Robert S. Birchard.
Irving Cummings (L) in a studio portrait taken after the Thanhouser era. Courtesy of the Academy of Motion Picture Arts and Sciences.
Grace Eline (Top L), sister of Marie Eline, was known as “The Thanhouser Juvenile” in films circa 1910 to 1913.
Marie Eline (L) and her pet poodle, in a circa 1912 portrait taken a the Robinson Studio in New Rochelle. Courtesy of Mary Eline Scheet.
Marie Eline in a studio portraits, circa 1911-1913. Courtesy of Mary Eline Scheet.
Marie Eline (L) and her pet poodle, in a circa 1912 portrait taken a the Robinson Studio in New Rochelle. Courtesy of Mary Eline Scheet.
Marie Eline in a studio portraits, circa 1911-1913. Courtesy of Mary Eline Scheet.
Marie Eline in a studio portraits, circa 1911-1913. Courtesy of Mary Eline Scheet.
Marie Eline (L) and her pet poodle, in a circa 1912 portrait taken a the Robinson Studio in New Rochelle. Courtesy of Mary Eline Scheet.
Ernest J. Martin and his son shown painting a scenic panel at the Thanhouser studio. Courtesy Ruth Martin Cameron.
Baroness DeWitz (L), known to fans as Valkyrien, shown in a photograph taken in Florida in 1916.
Baroness DeWitz (L), known to fans as Valkyrien, shown in a photograph taken in Florida in 1916.
Irving Cummings (L) in a studio portrait taken after the Thanhouser era. Courtesy of the Academy of Motion Picture Arts and Sciences.
Edwin Thanhouser (C) in middle age. Thanhouser family archives, courtesy of Joan Thanhouser Sherman.
Gertrude Homan (L) as Little Lord Fauntleroy taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
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Postcard courtesy Thanhouser Company Film Preservation, Inc.
Frank Crane, Thanhouser actor 1910-1911. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Florence LaBadie and James Cruze, circa 1914. Courtesy Donald Collins.
Grace Eline (Top L), sister of Marie Eline, was known as “The Thanhouser Juvenile” in films circa 1910 to 1913.
Grace Eline (Top L), sister of Marie Eline, was known as “The Thanhouser Juvenile” in films circa 1910 to 1913.
Marie Eline (L) and Grace Eline (R) in a portrait from the 1920s, when they were headliners in vaudeville. Courtesy of Mary Eline Scheet.
Mrs. Grace Eline (L) with daughter’s Marie Eline (in white coat) and Grace Eline in a studio portrait, circa 1910. Courtesy of Mary Eline Scheet.
Madeline and Marion Fairbanks (Top Row, L & R), with Eldean Steuart and Helen Badgley (Bottom Row, L & R).
Edwin Thanhouser (L) as Gringoire. Thanhouser family archives, courtesy of Pego Paar.
Gertrude Homan (L) as Little Lord Fauntleroy on the New York stage in the early 1890s. Thanhouser family archives, courtesy of Pego Paar.
Gertrude Homan (L) as Little Lord Fauntleroy on the New York stage in the early 1890s. Thanhouser family archives, courtesy of Pego Paar.
Studio portrait of Gertrude Homan (L), taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
Studio portrait of Gertrude Homan (L), taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
Studio portrait of Gertrude Homan (L), taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
Gertrude Homan (L) as Little Lord Fauntleroy on the New York stage in the early 1890s. Thanhouser family archives, courtesy of Pego Paar.
Gertrude Homan (L) as Little Lord Fauntleroy taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
Gertrude Homan (L) as Little Lord Fauntleroy taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
Gertrude Homan (L) as Little Lord Fauntleroy taken during the late 1890s. Thanhouser family archives, courtesy of Pego Paar.
An unidentified Thanhouser actress, possibly Patti Martin, in a candid photograph from the scrapbook of Ardice Blanchard, circa 1914-1915.
Boyd Marshall in a candid photograph from the scrapbook of Ardice Blanchard, circa 1914-1915. Courtesy of Donald Collins.
Florence LaBadie, circa 1914. Courtesy Donald Collins.
Florence LaBadie, circa 1914. Courtesy Donald Collins.
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Baroness DeWitz (L), known to fans as Valkyrien, shown in a photograph taken in Florida in 1916.
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William Russell in a studio portrait. Courtesy of the Academy of Motion Picture Arts and Sciences.
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Glass Slide, Fox 1921
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Press 126
Trade-press pages and clippings.
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Cover of the program for performances at the Lyceum Theater, Atlanta, on June 17, 1897.
As advertised in The Thanhouser News. Courtesy of Ralph Grahan, M.D.
From THE MOVING PICTURE WORLD, February 26, 1916.
Advertisement for Falstaff Comedies in REEL LIFE March 18, 1916.
From The Moving Picture World, February 3, 1917.
Advertisement from THE MOVING PICTURE WORLD, February 17, 1917.
TWO LITTLE GIRLS Advertisement in THE THANHOUSER NEWS. Courtesy of Wallace Worsley,.
From THE MOVING PICTURE WORLD, April 7, 1917.
Publicity photo from Reel Life, December 25, 1915 (L) and cover (C) from The Moving Picture World October 6, 1917.
Advertisement from THE MOVING PICTURE NEWS, October 14, 1911. Courtesy of Bebe Bergsten.
Thanhouser advertisement in THE MOVING PICTURE NEWS, December 30, 1911. Courtesy of Bebe Bergsten.
From THE MOVING PICTURE NEWS, January 13, 1912.
From THE MOVING PICTURE NEWS, January 13, 1912.
From THE MOVING PICTURE NEWS, January 13, 1912.
Advertisement from The Moving picture World, January 27, 1912; production stills courtesy the Academy of Motion Picture Arts and Sciences.
Advertisement from The Moving picture World, January 27, 1912; production stills courtesy the Academy of Motion Picture Arts and Sciences.
Advertisement from The Moving picture World, January 27, 1912; production stills courtesy the Academy of Motion Picture Arts and Sciences.
Advertisement from The Moving picture World, January 27, 1912; production stills courtesy the Academy of Motion Picture Arts and Sciences.
Advertisement from The Motion Picture World, February 3, 1912; production still with Florence LaBadie as the wife and William Russell standing behind her.
Advertisement from The Motion Picture World, February 3, 1912; production still with Florence LaBadie as the wife and William Russell standing behind her.
Advertisement from The Moving Picture World, February 17, 1912.
Advertisement from The Moving Picture World, February 24, 1912.
Advertisement from the Moving Picture World, March 2, 1912.
Advertisement from the Moving Picture World, March 7, 1912.
Advertisements from the Moving Picture World, April 6, 13, 20, and 27, 1912.
Advertisements from the Moving Picture World, April 6, 13, 20, and 27, 1912.
Advertisements from the Moving Picture World, April 6, 13, 20, and 27, 1912.
Advertisements from the Moving Picture World, April 6, 13, 20, and 27, 1912.
Advertisement in The Moving Picture News, April 27, 1912.
Advertisements from The Moving Picture World, May 4, 11, 18 and 25, 1912. (F-400, F410, F420, and F-430))
Advertisements from The Moving Picture World, May 4, 11, 18 and 25, 1912. (F-400, F410, F420, and F-430))
Advertisements from The Moving Picture World, May 4, 11, 18 and 25, 1912. (F-400, F410, F420, and F-430))
Advertisements from The Moving Picture World, May 4, 11, 18 and 25, 1912. (F-400, F410, F420, and F-430))
Advertisement from The Moving Picture World, June 1, 1912. (F450)
Advertisement from The Moving Picture World, June 9, 1912.
Advertisement from The Moving Picture World, June 1, 1912. (F450)
Advertisement from The Moving Picture World, June 22, 1912.
Advertisement from The Moving Picture World, June 29, 1912.
Advertisement from The Moving Picture World, June 29, 1912.
Thanhouser advertisement featuring Florence LaBadie, Sidney Bracy,and William Russell.
Thanhouser advertisement with William Russell and Leland Benham. Courtesy Ralph Graham, MD.
Thanhouser advertisement for The Head Waiter.
Cover from 12-page promotional booklet for Joseph in the Land of Egypt. (F-761-1B & F761-2)
Cover from 12-page promotional booklet for Joseph in the Land of Egypt. (F-761-1B & F761-2)
Advertisement from Reel Life, May 16, 1914, with Marguerite Snow, Mignon Anderson.
Advertisement (L) from Reel Life, May 16, 1914.
Advertisement from Reel Life, May 16, 1914, with Marguerite Snow, Mignon Anderson.
Advertisement from Reel Life, May 30, 1914.
Advertisement (L) from Reel Life May 30, 1914.
Advertisement from Reel Life June 20, 1914.
Advertisement from Reel Life June 13, 1914.
Advertisement from Reel Life August 29, 1914.
Advertising image from Reel Life November 7, 1914.
Advertising (L) from Reel Life, November 28, 1914.
Advertisement from Reel Life, December 19, 1914.
Advertisement from Reel Life, December 12, 1914.
Advertisement from The Cinema, February 25, 1915. This particular portrait of Florence LaBadie was widely reproduced.
The Moving Picture World, May 8, 1915.
Advertisement from The Moving Picture World, September 18, 1915.
Publicity photo from Reel Life, December 25, 1915 (L) and cover (C) from The Moving Picture World October 6, 1917.
Advertisement from Reel Life, December 25, 1915.
Advertisement from Reel Life.
Advertisement from The Thanhouser News. Courtesy Ralph Graham, M.D.
Advertisement from Reel Life and the facade of the Jewel Theatre in Hartford, Arkansas, July 7, 1916 showing THE FIVE FAULTS OF FLO.
Advertisement from Reel Life.
Advertisement from Reel Life.
Advertisement from Reel Life.
Advertisement from Reel Life February 12, 1916.
Advertisement for OUTWITTED, released February 16, 1916.
Frederick Warde (L) as SILAS MARNER, released February 19, 1916, from Reel Life.
Scene from Reel Life with Harris Gordon, Barbara Gilroy and Arthur Bauer.
Director A.C. Lund with Gladys Hulette during filming of HER NEW YORK. From an article in the January 1917 issue of Picture-Play Magazine.
News article (L) from The Moving Picture World issue of January 10, 1912, telling of the formation of a new film exchange in Chicago.
Advertisement from Reel Life, May 16, 1914, with Marguerite Snow, Mignon Anderson.
Advertisement from Reel Life and the facade of the Jewel Theatre in Hartford, Arkansas, July 7, 1916 showing THE FIVE FAULTS OF FLO.
Mignon Anderson (L) on the cover of Reel Life of March 21, 1914.
Muriel Ostriche (L) on the cover of Reel Life of June 13, 1914.
Marguerite Snow (L) on the cover of Reel Life of October 17, 1914.
Scene from THE CRIPPLE on the cover of Reel Life, September 26, 1914, featuring Nolan Gane and Lydia Mead.
Scene from THE CRIPPLE on the cover of Reel Life, September 26, 1914, featuring Nolan Gane and Lydia Mead.
Helen Badgley (L), The Thanhouser Kidlet, on the cover of Reel Life, December 19, 1914.
Thanhouser studio, topping an article by Robert C. Duncan in the January 1917 issue of Picture-Play Magazine.
Director A.C. Lund with Gladys Hulette during filming of HER NEW YORK. From an article in the January 1917 issue of Picture-Play Magazine.
Production still from THE FLYING TWINS. From the Moving Picture World.
Advertisement from The Moving Picture World of February 10, 1912, giving the weekly release schedule of the.
Advertisement (L) from Reel Life.
Advertisement (L) from Reel Life May 30, 1914.
Mignon Anderson (L) on the cover of Reel Life of March 21, 1914.
Publicity photo from Reel Life, December 25, 1915 (L) and cover (C) from The Moving Picture World October 6, 1917.
Advertisement (L) from The Cinema, February 25, 1915 for Episode 9 of the Million Dollar Mystery.
Advertisement (L) from The Cinema, February 25, 1915 for Episode 9 of the Million Dollar Mystery.
Image from The Photoplay Magazine, August 1913. Courtesy of Robert S. Birchard.
Muriel Ostriche (L) on the cover of Reel Life of June 13, 1914.
Muriel Ostriche (L) on the cover of Reel Life of June 13, 1914.
Francelia Billington, from The Photoplay Magazine, August 1913. Courtesy of Robert S. Blanchard.
Peggy Reid, supporting actress, in The Photoplay Magazine, July 1913. Courtesy of Robert S. Blanchard.
Sketches of Alexander Salvini published in an unidentified newspaper on December 16, 1896, the day after Salvini’s death.
Marguerite Snow (L) on the cover of Reel Life of October 17, 1914.
Marguerite Snow (L) on the cover of Reel Life of October 17, 1914.
Marguerite Snow (L) on the cover of Reel Life of October 17, 1914.
Frederick Warde (L) as SILAS MARNER, released February 19, 1916, from Reel Life.
Marie Eline (L) featured on the cover of sheet music for Tattle Tale.
Marie Eline (L) featured on the cover of sheet music for Tattle Tale.
Marie Eline (L) featured on the cover of sheet music for Tattle Tale.
Helen Badgley (L), The Thanhouser Kidlet, on the cover of Reel Life, December 19, 1914.
Marguerite Snow (L) in the first episode of ZUDORA from Reel Life, October 17, 1914.
Marguerite Snow (L) in the first episode of ZUDORA from Reel Life, October 17, 1914.
Advertisement (L) from Reel Life, May 16, 1914.
The Photoplay Magazine, July 1913, titled “The Daily Lessons.” The picture accompanied an article “Home Life of Little Marie Eline.” Courtesy of Robert S. Birchard.
Advertisement (L) from Reel Life May 30, 1914.
News article (L) from The Moving Picture World issue of January 10, 1912, telling of the formation of a new film exchange in Chicago.
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Places 31
New Rochelle, the studio, and the locations.
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View of the Caudebec Inn, Cauddebackville, New York, from a card post marked September 1913.
Under the management of Edwin Thanhouser, the Bush Temple Theatre opened on August 29, 1908 with the four-part play Leah Kleschna.
Posing as a theater usher to the right, with hand outstretched, is none other than Edwin Thanhouser himself. Courtesy Dominick Bruzzese.
A view of the Thanhouser Company building, circa 1910-1912. The Remington sign was meant to be read by railroad passengers on a nearby line.
Publicity for The Colonial Theatre in Pittsfield, Massachusetts. Director William Parke would later be associated with the Thanhouser Film Corporation. Miss Julia Taylor was one of Thanhouser’s most prominent actresses in 1910 and 1911, including her role in the VIOLET GRAY, DETECTIVE series.
The Savoy Theatre in Jacksonville, Florida, where among the pictures being shown is HER FIRST LESSON. Courtesy Toby Norris.
Construction of a glass studio on the back of a building acquired early in 1913, following the studio fire. Interior of “The Glass Palace” extension.
Construction of a glass studio on the back of a building acquired early in 1913, following the studio fire. Interior of “The Glass Palace” extension.
Construction of a glass studio on the back of a building acquired early in 1913, following the studio fire. Interior of “The Glass Palace” extension.
Al Jennings, supervised the 1914 production of BEATING BACK. Courtesy of the Wisconsin Center for Film and Theatre Research.
Walter Hiers, Thanhouser actor. Courtesy of the Wisconsin Center for Film and Theatre Research.
Madeline and Marion Fairbanks, the Thanhouser Twins, in FAIRY FERN SEE. Courtesy of the Wisconsin Center for Film and Theatre Research.
Lorraine Huling and Boyd Marshall in a lobby card for TRULY RURAL TYPES. Courtesy of the Wisconsin Center for Film and Theatre Research.
LAMES AND FORTUNE was set against the deliberate burning of the Sicard mansion in New Rochelle. Courtesy Ralph Graham, M.D.
James Cruze and Marguerite Snow had the title roles in WHEN GHOST MEETS GHOST, Riley Chamberlin played the owner of the haunted house.
The Spear Mansion, St. Augustine, Florida in 1912. Courtesy of the St. Augustine Historical Society.
Documents 12
Letters, contracts and paperwork.
Sketches of the leading players on George Ohnet’s drama, THE IRONMASTER, as presented by The Grand Stock Company under the direction of Edwin Thanhouser during the theater season of 1897-1898.
Sketch (L) of method of underwater photography used by Carl Louis Gregory in 1914. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Letter from stage star William H. Crane to Gertrude Homan, February 9, 1892.
The Thanhouser parade float in 1913 with C.J. Hite in foreground with Jean Darnell, Helen Badgley, Marie Eline, Ethyle Cooke, Grace Eline, stockholder.
Thanhouser Company Certificate of Incorporation, October 25, 1909. Courtesy Westchester County Clerk.
Thanhouser Company Certificate of Incorporation, October 25, 1909. Courtesy Westchester County Clerk.
Sketch (L) of method of underwater photography used by Carl Louis Gregory in 1914. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Sketch (L) of method of underwater photography used by Carl Louis Gregory in 1914. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
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Other images 44
Everything the collection holds that fits nowhere else.
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Thomas Edison (L) and George Eastman (R)
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Sam Thanhouser (L) and Julia Thanhouser (R). Courtesy Thanhouser Family Archives.
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Outdoor stages at the Thanhouser Film Corporation, sometime after 1912. Courtesy of the American Museum of the Moving Image/Lawrence Williams Collection.
Courtesy of the American Museum of the Moving Image/Lawrence Williams Collection.
Edwin Thanhouser, standing in a white jacket in the center, among passengers aboard the S.S. Belgenland. The passengers on the ship, in the Bay of Bengal in early 1928, staged a play. Courtesy Thanhouser family archives Pego Paar.
A small section of a wooden outdoor stage that allowed several productions to be set up at the same time.
Pages from Edwin Thanhouser’s personal notebook, laying out the scenery an Act 1 for the play THE THREE GUARDSMEN.
Thanhouserites posed in Florida on February 15, 1916 for a presumably gag picture to impress those back in New Rochelle.
Pages from Edwin Thanhouser’s personal notebook, laying out the scenery an Act 1 for the play THE THREE GUARDSMEN.
A small section of a wooden outdoor stage that allowed several productions to be set up at the same time.
Thanhouserites aboard ship en route to Jacksonville, Florida, sometime after mid-December 1915.
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A view of the joining room at the Thanhouser factory, circa 1911. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Edwin Thanhouser (L) shown in the upper right as manager of the Academy of Music in a 1900 directory of “Milwaukee’s Theatrical Managers.” Courtesy of Larry Widen.
Thanhouser players shown aboard a horse-drawn fire rig borrowed from the New Rochelle Fire Department.
Thanhouser’s Jacksonville Studio in early 1916. Courtesy of the American Museum of the Moving Image/Lawrence Williams Collection.
Edwin Thanhouser (L) shown in the upper right as manager of the Academy of Music in a 1900 directory of “Milwaukee’s Theatrical Managers.” Courtesy of Larry Widen.
Laboratory workers (L) at the Thanhouser New Rochelle studio. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Laboratory workers (L) at the Thanhouser New Rochelle studio. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Laboratory workers (L) at the Thanhouser New Rochelle studio. Carl Louis Gregory estate, courtesy of Ralph Graham, M.D.
Thomas Edison with member logos of the Motion Picture Patents Company (aka MPPC or The Trust)
Mutoscope.
Nickelodeon circa 1905.
Sam Thanhouser (L) and Julia Thanhouser (R). Courtesy Thanhouser Family Archives.
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A montage of Thanhouser Players from early 1913 depicts leading personalities then associated with the studio. Courtesy Q. David Bowers (x-20)
An outdoor studio set, circa 1912. A caption on the original photo identified, left to right: Marguerite Snow, William Russell, and William Garwood.
Harry Benham, Florence LaBadie, Violet Hite, an unidentified woman, Ethyle Cooke Benham, Lloyd F. Lonergan, and Charles J. Hite taking a break in Cape May, New Jersey.