Barry O’Neil

By 1912 he was an important director for Lubin, and by 1914 O’Neil had directed numerous multiple-reel films there. Film historian Linda Kowall wrote to the author in 1988: “Barry O’Neil, one of Lubin’s main directors, was reported by all who remembered him as quite a pompous, know-it-all fellow who fancied himself a DeMille before there was a DeMille—complete with puttees, megaphone, and the whole bit. For the making of the 1914 Lubin feature The Wolf, he put cast and crew through a nightmarish experience at Saranac Lake in midwinter in the name of ‘realism.’ O’Neil was fond of putting his company at risk to achieve striking results.” From Lubin he went in July 1915 to World, in Fort Lee, New Jersey. The August 11, 1915 issue of The New York Dramatic Mirror contained a full-page advertisement by the World Film Corporation, which stated that Lewis J. Selznick had engaged O’Neil to produce special features. A notice in The New York Dramatic Mirror, September 28, 1915, stated that he terminated his contract with Lubin by mutual consent, although the contract had a year remaining. On November 1, 1915 his Shubert Film Co. production, Bought, was released by World.

His wife, Nellie Walters O’Neil, known professionally as Nellie Walters, died on November 21, 1915. Mrs. O’Neil, born in Glasgow, Scotland, had a career on the stage but had retired when Barry O’Neil went into motion pictures with Edwin Thanhouser. She was the daughter of Mr. and Mrs. George Walters. At one time her mother was a Thanhouser actress. Barry O’Neil stayed with World for several years, where, by autumn 1916, his films included Husband and Wife, A Woman’s Way, The Unpardonable Sin, The Weakness of Man, and others. From this era until the end of his life he gave his mailing address as the Lambs Club, New York City.

The 1918 edition of the Motion Picture Studio Directory noted that among the pictures he had directed lately for World were Husband and Wife, The Revolt, and The Hidden Scar. An article in The New York Dramatic Mirror, April 6, 1918, noted that in his films, “he incorporated may original spectacular effects which greatly enhanced their dramatic value. Realism was always Mr. O’Neil’s objective, and an instance is recorded where he took his company over a thousand miles north to procure the atmosphere he desired. His method of directing was firm but tempered with kindness, and he produced his best results without the friction which so often handicaps the work of more excitable stage managers.” Barry O’Neil died of a stroke of apoplexy in New York City on March 23, 1918, at the home of his brother, Dr. Frank J. McCarthy, 113 West 49th Street. Interment was in Woodlawn Cemetery.

Notes: His surname sometimes appeared in print as O’Neill. He is not to be confused with Barry O’Neill, an entertainment personality of the 1920s who at one time was a close friend of Jeanne Eagels.