1916Pathé Gold Rooster PlayFive reelsDrama

Saint, Devil and Woman

Also released as Woman, Saint and Devil

No copy you can watch online. No print is known to survive. What follows is what does: the release, the cast, the story, and what the trade press said at the time.

The story

“After her uncle’s death, a young girl finds herself under the subtle spell of the executor of the estate, an uncanny Spaniard possessing a Mephistophelian nature and likeness. Fresh from her sheltered life in a convent school and inexperience with the ways of the world, she serves as plastic material for the Spaniard to mold to his hypnotic will and carry out his dictates to further evil in the world. Gradually the Saint becomes a Devil and aided by her great wealth becomes a menace to humanity. But the perverted soul and clouded life finally has an awakening. Through the strong personality of a young doctor engaged in bettering the deplorable conditions existing in the tenement districts, the dawn of her salvation begins. Brought in contact with him by chance he investigates her peculiar case further and then begins a battle of wills—the doctor against her devil self and the hypnotic subtleness of the Spaniard. The fate is finally won and from out of the vanquished evil self emerges the true woman—the shackles of sin severed and replaced by the bonds of love.”

Summary from The Moving Picture World · 30 September 1916

What the papers said

2 reviews · 5 articles · 1 advertisement

This review is reprinted in the narrative section of the present work.

Variety · 20 October 1916

This review is reprinted in the narrative section of the present work.

Wid’s Film and Film Folk · 19 October 1916

Articles5 · 29 April 1916 – 27 October 1916

29 April 1916The New Rochelle Pioneer1 min

“Nearly 800 men and women, representing strike and strike-breakers, were used by the Thanhouser Corporation in taking a big feature picture at the Abendroth Foundry, Port Chester, this week. The principal roles were taken by Florence LaBadie, Wayne Arey, and Hector Dion.”

29 April 1916The Moving Picture World1 min

Excerpt: “Quite different from The Fugitive is another classic: Woman, Saint and Devil. Here psychology is the act behind the action—a weird, freak psychology that parallels the famous case of medical record. With the threat of fictional circumstance woven into the story, Miss LaBadie has a vehicle suggesting The Case of Becky. Director Sullivan had made a particular effort to impress Mr. Dion, Miss Cooke, and the other players with the psychological significance of the plot.”

9 September 1916The Moving Picture World1 min

“Saint, Devil and Woman, featuring Miss LaBadie, a play by Philip Lonergan and directed by Mr. Sullivan, is to be released on September 24.... Miss LaBadie is supported by Wayne Arey, Hector Dion, and Ethyle Cooke . Philip Lonergan has written a different sort of a play—a story of a girl of two natures controlled at different times by two men, one a good influence, the other an evil influence. Saint, Devil and Woman is crowded with suspense and truly big scenes. A sensational battle between railroad strikers and strikebreakers is one of the features. Miss LaBadie gives a splendid portrayal of the two-sided woman, showing deep appreciation of the psychological details. Before she played the part she spent several days in the New York Public Library reading authoritative works on the phenomena of dual personalities.”

16 September 1916The Moving Picture World1 min

“A tale of a girl of triple personality, Saint, Devil and Woman, will be released by Thanhouser Film Corporation to the Pathé Exchanges on September 24. Florence LaBadie, the star, is supported by Wayne Arey, Hector Dion and Ethyle Cooke. The story, by Philip Lonergan, is based upon Dr. Morton Prince’s famous treatise, ‘The Dissociation of a Personality,’ which discusses the case of Sarah Beauchamp, the first person of changing personality to be carefully investigated by scientists. Investigations by Boris Sidis and Dr. Hugo von Munsterberg also were used in making the play psychologically accurate. Florence LaBadie shows splendid appreciation of the character of a simple girl who is changed into a fiend by a chain of startling circumstances. A railroad strike plays a big part in the story, and director Frederick Sullivan has staged a thrilling battle between strikers and strikebreakers. The feature is of unusual timeliness because of the current conflict between labor and capital in the United States.”

27 October 1916The Pittsburgh Leader2 min

“One of David Belasco’s biggest stage successes was called The Case of Becky. Sometimes the heroine was good, then suddenly she would become a fiend. Probably the most famous story of dual personality is Dr. Jekyll and Mr. Hyde, One of the most widely read stories in English literature is Trilby, In it, a beautiful girl struggles under the evil, hypnotic influence of a wicked man. With dual personality and hypnotism as his theme, and after a careful study of Dr. Morton Prince’s The Dissociation of a Personality, and other famous books by Prof. Hugh Munsterberg, of Harvard University and Boris Sidis, Philip Lonergan, the scenario writer, has developed a powerful story under the title of Saint, Devil and Woman, It has been produced by the Thanhouser Company and released as a Pathé play. It begins an engagement at the Grand Opera House today, continuing tomorrow. Fresh from her life at a convent school, the strange heroine of this powerful drama serves as plastic material for a Spaniard, who, through her father’s death, has become executor of the estate and moulds her to his hypnotic will. Gradually the saint becomes a devil, and aided by her great wealth is a menace to humanity. Then begins a conflict—a match of minds—between a young doctor, engaged in bettering the conditions in tenement districts owned by the girl, and the man, whose evil influence has changed her habits of thought. Who will win? This is the question you will ask breathlessly up to the last few moments.

“’Tell me what you read and I will tell you what you are,’ So spoke some oracle whose name escapes us. Very well. Here is a young woman who is keenly interested in Dr. Morton Prince’s The Dissociation of a Personality. Beside her are psychological works by Boris Sidis and Hugo von Munsterberg. Tell us, what is she? We shall divulge the secret. She is a motion picture star—Florence LaBadie, of the Thanhouser company. Let Miss LaBadie say why she was studying Dr. Morton Prince’s The Dissociation of a Personality, when the interviewer was introduced:

“’I’m learning about dual personality,” she explained. “I have to understand it for my picture, Saint, Devil and Woman. I have to play a girl who is normally a saint, but who, through a chain of startling incidents, becomes a fiend and in the end changes to a fine, normal woman,” Miss LaBadie continued. “In order to portray the character correctly, I have to read up on dual personalities so that I won’t offend any psychologists who might see the picture and be anxious to criticize my interpretation.’”

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23 September 1916The Moving Picture World1 min

“This is an unusual and powerful story of a young girl with a dual personality—a saint when she is herself, a devil when under the hypnotic influence of an evil man. Like DuMaurier’s famous ‘Trilby’ the theme is fascinating. The conflict of wills between the hero, a high-minded young doctor, and the villain will have your patrons breathless, asking ‘Who will win?’”

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Cast and crew

Claus Bogel as James Carter
Ernest Howard as William Stanton
Ethyle Cooke as Grace Carter
Florence La Badie as playing multiple roles, including Florence Stanton
Hector Dion as Miguel Cordova, alias Alvarez
Wayne Arey as Dr. Gregory Deane
Photographed by
Charles Wilbur Hoffman

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More about this film

Filmed in
New Rochelle and Port Chester, New York
Bowers’ notes
  1. Advance publicity for this film used the working title of Woman, Saint and Devil; refer to several articles in The Moving Picture World, beginning early in 1916, and Reel Life, April 29, 1916, for examples. Sometimes “the” was inserted into the title: Woman, Saint and the Devil, for example in an article about Florence LaBadie in the September 24, 1916 issue of the New York Morning Telegraph. 2. The release date of this film was erroneously listed as September 24, 1916 in some schedules. 3. A scene from this film was used on the cover of the September 30, 1916 issue of The Moving Picture World. 4. Originally, according to publicity appearing during the first half of 1916, this film was to be the second “Thanhouser Classic” and was to be released on the Mutual Program. It was postponed and eventually appeared on the Pathé program as a Gold Rooster Play.

From Volume II: Filmography of Q. David Bowers’ Thanhouser Films: An Encyclopedia and History, reproduced with permission and unchanged. Read the history of 1916 →

Cite as: Bowers, Q. David. Thanhouser Films: An Encyclopedia and History, “Saint, Devil and Woman”. thanhouser.org/films/saint-devil-and-woman/

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