Riley Chamberlin was an important actor, primarily in comedy roles, with Thanhouser from 1912 to 1917.
Riley Chamberlin was born in Byron, Michigan on November 7, 1854. He was educated at the Grand Rapids (Michigan) High School and graduated with the Class of 1873. Later in his life, he studied at Olivet College, Cornell University, and Columbia University. In 1907, his mother still lived in Grand Rapids, at 543 Cherry Street. Following his graduation from Cornell, in 1874 he joined C.H. Gardner’s stock company at the Academy of Music, in Chicago, where he served as a utility man, making his debut with Oliver Doud Byron in Donald McKay, later appearing with the same actor in Across the Continent and Ben McCullough.
Riley Chamberlin supported Frank Mayo in Davy Crockett, and was with F.S. Chanfrau in Kit, the Arkansaw Traveler, during the 1874-1875 season. Other appearances included engagements with Mrs. Chanfrau in Jealousy, with Clara Morris in Camille and L’Article 47, and with John McCullough in Macbeth, Virginius, Spartacus, and other productions. Riley Chamberlin was seen with J.L. Toole in The Artful Dodger, Off the Line, and Michael Garner. Then came appearances with W.J. Florence in The Ticket of Leave Man, which was staged in Chicago and also on a lengthy road tour. Later, he appeared with Florence in No Thoroughfare and Dombey & Son. He traveled with Adelaide Neilson in Romeo and Juliet, As You Like It, A Midsummer Night’s Dream, and other plays, after which he was seen with Frank Aiken in The Ticket of Leave Man, The Lady of Lyons, and Don Cesar de Bazan.
Riley Chamberlin left the stage at the end of the 1875 season, in response to the preference of his father. He engaged in other activities for six years, after which he was back on the boards in 1881, as St. Clair in Uncle Tom’s Cabin, and as Nathan Lyffold in The Black Diamond. He then joined the Furnished Rooms road company, later purchasing the production and continuing it under his own management. He then left the stage for a period of three years. At one time Chamberlin found employment as a cowboy in Colorado, and for a period he was a horse trader in the Dakotas.
In 1885 he was back on stage, where he remained for the next quarter century. During the late 1880s and early 1890s he spent several seasons with Walker Whiteside in Hamlet, and essayed various roles with comedy and musical companies. For the 1892-1893 season he was with the company presenting Ole Olsen, after which, in 1893-1894, he had a part in By Wits Outwitted. He appeared as Mr. Beetle with Effie Ellsler in Doris, and as Barney with Ellsler in Hazel Kirke, on the road during the 1894-1895 season. During the 1895-1897 seasons he was seen on tour as Ben Gay in A Trip to Chinatown. During 1897-1898 he was with several companies in such productions as The Silver King, The Speculator, and A Royal Secret, in support of Carl Haswin, Thomas Q. Seabrooke, Wilton Lackaye, and others. He appeared with Charles Coghlan in A Royal Box during the 1898-1899 season.
In the summer of 1899 he was hired by Edwin Thanhouser for his stock company at the Academy Theatre, in Milwaukee. He remained with Thanhouser for five years, after which he joined the Proctor stock company for the 1906-1907 season. In 1907-1908 he was on tour in Spangles, around which time he was with Bertha Kalich in An Unbroken Road, followed by a 1908 tour with Ezra Kendall in A Land of Dollars, during which production he became ill and could not work. Upon his recovery he played the role of Wallers with Mabel Barrison in The Blue Mouse in New York City and road engagements in the 1909-1910 season. In 1910 he was seen as Justice Jackson, with Mabel Barrison and Harry Conor, in Lulu’s Husbands, in Maxine Elliott’s production of New York, Apr. 14, and on tour as Rem Blanchard with May Irwin, in Getting a Polish, as Tinker with Marie Dressler, in Tillie’s Nightmare, and as Parissard in Madame X.
In Milwaukee, on February 5, 1900, at which time he was employed at the Academy Theatre in Edwin Thanhouser’s stock company, he married Jeanette Bayes, who was a sales clerk in a downtown store. On March 9, 1910, Mrs. Chamberlin, through her attorney, Julius E. Roehr, filed for divorce, stating that shortly after their marriage her husband “became cruel and inhuman, that he employed violent and abusive language to her, and even threatened bodily harm.”
A Milwaukee newspaper account stated: “She lived with him until October 4, 1909, when she decided that he was no longer a safe person with whom to live. Then she left him, and has not since resided with him. On October 15, 1909, Mrs. Chamberlin alleges, her husband came to her apartment in Brooklyn, New York, that he abused her, struck her, and threatened to kill her, holding a loaded revolver to her head. That was their last meeting. Finally, it is stated that the actor is earning from $240 to $250 a month.”
Chamberlin’s attorney, John F. Donovan, said that countercharges would be launched against Mrs. Chamberlin and would involve people from Salt Lake City to New York City, and even New Orleans, but when the divorce hearing was held on July 27, 1910, no such defense was presented. In 1911 Riley Chamberlin’s mailing address was 448 Jefferson Street, Milwaukee, Wisconsin. By this time, at the end of his stage career, he was a wealthy man.
Bowers’ own filmography list is left out here: the filmography above lists the same films. Cite as: Bowers, Q. David. Thanhouser Films: An Encyclopedia and History, “CHAMBERLIN, Riley.” thanhouser.org/research/people/riley-chamberlin/